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Secondary Chords (vi-ii-iii)

All the E-shape minor triad chords in a major key.

In a major key, the vi, ii, and iii chords are called the secondary chords. These are all the minor triad chords in the key.

Basic vi-ii-iii progression

E-shape vi-ii-iii progression
(Tip: Change key in settings)

Fifths apart

The relationships between the secondary chords are exactly the same as the relationships between the primary chords:

  • The vi chord is the minor home.
  • The ii chord is a perfect fourth above the vi (and a perfect fifth below).
  • The iii chord is a perfect fifth above the vi.

The vi, ii, and iii chords are like a minor version of the I, IV, and V.

Practice progression

E-shape secondary chord practice pattern

This progression includes a change between each of the three chords in both directions, so you can practice every combination of changes between them.

Practice chord changes with pentatonics

E-shape vi-ii-vi-iii with pentatonics

Once you have the chord changes down, practice playing the E-shape minor pentatonic over various secondary chord progressions. This diagram gives just one example. Use your ears and your creativity to come up with others.

E-shape Minor Chord

The main movable minor chord shape with a root on the sixth string.

Course: Minor Key Harmony

(In development) The moody and sophisticated counterpart to major harmony.