Course: Beginning Chord Harmony
How chords and scales compose into songs, explored through movable E shapes.
Overview
Harmony describes which notes and chords sound good together, and how to evoke certain feelings with certain combinations of sounds.
This course shows what to do with the E-shape Movable Chords and E-shape Scales we've already learned, to make them actually sound like music. It mostly focuses on how chords fit together in a major key. For more information, see Introduction to Harmony on Guitar and Minor Key Harmony.
Playing up and down the neck
Because these concepts are illustrated with only E-shape chords, playing the examples involves jumping across long distances up and down the neck. This is challenging at first, but it's worth doing. It gives a visceral sense of the interval distance between the chords, and helps us get comfortable playing all over the fretboard. With a bit of practice, it becomes surprisingly natural and almost automatic.
Later lessons will explore these concepts using multiple chord shapes so they aren't so far apart. This makes the changes easier to play, but not easier to understand. See Intermediate Chord Harmony and Position Playing in a Major Key to learn more.
Lessons
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Chords in a Major Key
Learn to play all the chords in any major key using E-shape major and minor chord grips.
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Primary Chords (I-IV-V)
The bones of a major key chord progression. All the E-shape major triads in a major key.
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Secondary Chords (vi-ii-iii)
All the E-shape minor triad chords in a major key.
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Major Key Diatonic Chords
Understand how the E-shape chords in a major key use notes from the parent major scale.
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Dominant Function
The E7-shape chord creates tension that propels the progression home.
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Common Chord Progressions
Practice E-shape chord progressions that are used in many songs.
Related material
Introduction to Harmony on Guitar
An introduction to the fundamentals of major key harmony by exploring the guitar fretboard with interactive animations and sound.
Course: E-shape Movable Chords
A beginner-friendly approach to the first barre chords learned by most guitar players.