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Fretboard Foundation

G-shape Tonic Position

Every chord of a major key organized around the G-shape I chord.

The G-shape tonic position organizes all the chords in a major key around the G-shape I chord.

Chords in this position

All chords, ascending
I chord: G-shape major
ii chord: A-shape minor
iii chord: C-shape minor
IV chord: C-shape major
V chord: D-shape major
vi chord: E-shape minor
vii° chord: Dim triad
V7 chord: D7-shape

Study and practice

First, learn the chords

Work on unfamiliar grips with the procedure described in How to Master New Chord Grips.

Practice the primary chords

Primary chords, G-shape position

See the primary chords lesson for details.

Practice the secondary chords

Secondary chords, G-shape position

See the secondary chords lesson for details.

Practice major and minor pairs

I and vi: G-shape major and E-shape minor
IV and ii: C-shape major and A-shape minor
V and iii: D-shape major and C-shape minor

Each major chord shape has a matching relative minor shape, and vice versa. The relative major and minor shapes are always found together in the same key, whatever the position.

Play ascending and descending

Ascending and descending chords

Play the chord on each scale degree in order, both ascending and descending.

Practice descending fifths

All chords in descending perfect fifths

Descending the circle of fifths (I-IV-vii°-iii-vi-ii-V-I) is a musical way to practice every diatonic chord in the key. It also contains the most common chord progressions used in most jazz songs.

Play songs in this position

One of the best ways to become familiar with a position is to play songs you already know entirely inside the position.

Series: G-shape Movable Chords

Movable chords based on the CAGED G shape, played as separate bass and treble grips.

E-shape Minor Position

The relative minor key in these same frets.